Identify your market

You may think you’ve already done your work as far as identifying your market when you chose your genre, but it’s actually more complicated than that. Will your story be high fantasy? YA or Adult Fantasy? Urban, steampunk, or grimdark fantasy? A common misconception about fantasy writing is that it all fits into a very J.R Tolkien type of world- elves, dragons, trolls, etc. But that’s not always the case. Many experts, for example, would argue that Star Wars would be considered Fantasy as opposed to Science Fiction.

Essentially the difference between the two genres boils down to the details. If we’re receiving detailed explanations on how the technology works, how the world works, etc. in a story, it’s likely considered science fiction. If, however, the details are vague and/or mythical then it would be considered fantasy. Making sure you know what genre you’re going for and which subgenre will help you know better how to write for your specific readership.

Write your novel/series bible

The ‘bible’ for your series or novel is the history of the world or realm you’re writing about. Any legends or lore that are important to your story need to be written out in great detail because these legends and histories will greatly inform the current state of the world you’re writing from. For example, take the highly acclaimed series Game of Thrones. George R.R. Martin creates an incredibly detailed and rich history for the world and for each of the families that play a large role within that world. He details the period of time where the ‘mad king’ brought the downfall of the Targareyan house, the time where the Baratheons fought for the crown, etc. You can even find detailed family trees going back generations for each family. Now, obviously, this whole history isn’t detailed in its entirety in the series so you’ll likely only use bits and pieces of your own ‘bible’. However, having all of these details solidified and relayed through dialogue and action throughout your series will make it feel more like our own world, which also has a rich history.

Plot everything before writing

This is true for essentially every genre but is especially important for fantasy writing. You’ll likely have several character threads going, several species to introduce and explain, and several versions of history at play simultaneously. For the series to read as effectively as possible, you must plot out each thread as you’d like it to unfold as well as the POV and how and when the information will be revealed to the reader.

Use all five senses

Fantasy writing, regardless of the subgenre, should be incredibly detailed. It’s a very romanticized genre, and avid readers want to be fully immersed in the world and completely escape from reality. In order to create this to its fullest extent, all five senses must be utilized. If you’ve done your job right, your readers should be able to see, taste, smell, hear, and feel some aspect of every scene you’ve written. If you have the tendency to miss a few of the senses, make sure you do exercises to practice as you prepare to tackle your book(s).

Give the world internal rules

Although fantasy books shouldn’t have detailed explanations on how certain elements such as magic work, creating rules for the world will allow it to feel more real. For example, how is this world governed? Is there one person ruling on an iron throne or is there a magical government that exists right beneath our noses? How did this power structure originate (something to be answered in your book bible)? How does this power structure effect or dictate how citizens live in this world?

Let’s say your world includes some type of magic or power. While you don’t need to answer how magic works, there are a few questions that you can answer that will help the world feel more realistic- where does the magic or power come from? What are the limitations of the magic or power? Is it different for everyone or the same, but some are just more powerful than others?

It’s important to be organized and careful not to break your own rules throughout the story (unless you do it on purpose). For example, you can establish a rule that people have a certain limitation on their powers, only for us to later realize that our protagonist doesn’t have this limitation in true ‘chosen one’ fashion. However, if you establish early on that someone’s powers will drain if used frequently, you can’t have them using them frequently in an epic battle without them draining and with no explanation whatsoever. Make sure that any breaking of established rules is both acknowledged and explained in your story.

Choose meaningful character names

OK here comes the fun part, guys. One of the most enjoyable aspects of fantasy writing is getting to choose your character names. Keep in mind when you’re doing this that fantasy readers are very astute. They’ll research character names, the prefixes/suffixes, the meanings in different languages, etc. Therefore, knowing this, it’s fun to give them little treats. As one example, J.K. Rowling chose her character names with great care. Each name has a specific meaning that gives the reader a clue into either the personality or nature of the character itself. For example, take the character name Remus Lupin. The name Remus is in reference a mythological character who was raised by wolves, while the last name Lupin comes from the Latin ‘lupus’ which translates to ‘wolf’. The name is very fitting seeing as (spoiler alert) we find out that he’s a werewolf in book three.

Make your characters complex, not archetypal

Although worldbuilding and plot are extremely important in fantasy writing, characters and character development are equally important. You can have the most well-crafted plot in the world, but if your readers don’t care about your characters then they won’t care what happens to them. Therefore, when you’re doing your bible work prior to writing, make sure you create detailed character summaries and create characters with complex personalities, wants, and desires. Don’t rely on cliche archetypes like ‘the loyal best friend’ or ‘the wise old man’…readers have seen simplified versions of these characters in fantasies too many times before. Part of making your series or book stand out is making your characters stand out too.

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1) Use the time of a total stranger in such a way that he or she will not feel the time was wasted.

As Vonnegut points out, reading is a really intimate experience happening between your imagination and a complete stranger. A person you’ve never met (and likely never will meet) is taking precious moments of their life to dive into your work. Don’t waste a single moment of that engagement and make sure they walk away from your work with things to think about. Whether that be about morality, history, self-help or love, try to teach them something new so they walk away feeling they gained something positive from your book.

2) Give the reader at least one character he or she can root for.

This doesn’t mean every character has to be perfect. Heck, it doesn’t even mean that a single one of them has to be perfect…perfect is boring. It just means at least one of them has to be likable in some capacity. This could mean a super sweet character, but it could also mean a damaged or jaded character who is trying to get their life together. Imperfections don’t make people unlikeable (in fact, they often do the opposite). But if your book is filled to the brim with incredibly harsh, evil, or frustrating characters, your reader isn’t going to care what happens to them.

We can’t overstate how crucial this one is to any and all writing. The character is the main driving force of any novel and character desire is what drives the character. A book where a character is just wandering about and events just fall into their lap isn’t an interesting read because they don’t have any stake in the events of the story. For example, a story about a character who gets rejected from a college isn’t interesting unless that character desperately wanted to get in. Perhaps it’s been their dream since they were a child and now we get to see how they react and cope with losing that dream. That’s far more interesting than a character getting a rejection letter, shrugging, and walking away.

4) Every sentence must do one of two things—reveal character or advance the action.

This goes along with the first rule, this is just more specifically what needs to happen to make your book worth your readers time. Make every sentence matter in the arc of your book. As we’ve said before, even setting and character descriptors should reveal character in some capacity.

5) Start as close to the end as possible.

Novice writers have the tendency to start their book in the wrong place. The first chapter of their book gets bogged down with exposition and backstory or even pages of build-up before the real action/arc of the story begins. You should start your book immediately in the action of the story, cutting out as much exposition and build-up as possible.

6) Be a sadist. No matter how sweet and innocent your leading characters, make awful things happen to them, in order that the reader may see what they are made of.

We love our characters, it can be hard to make bad things befall them. But, as Vonnegut says, it’s in those times that we really see someone’s true self. That’s one of the key parts of any good story, revealing your characters (faults and all) to your readers.

7) Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.

Write for you and for your characters- that’s it. If you’re constantly worrying about pleasing everyone your story is either going to be super jumbled and confusing or so general that it feels unrealistic and boring. Don’t be afraid to create characters with very specific quirks and personality traits instead of writing a protagonist that everyone could see themselves in. Trust us: your readers will thank you for it.

8) Give your readers as much information as possible as soon as possible. To hell with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

Very comically put, but also very true. Never convey suspense in a way that readers don’t understand what is happening to your protagonist. The story is driven by character and the choices your character makes is what defines them. Those choices should be very clear to the reader or the weight behind them will be lost. For example: let’s say you’re writing a suspense novel where your protagonist decides to seek revenge on the person he believes killed his father. Even if later it will be revealed that it wasn’t who our protagonist thinks it is, the reader needs to know that they had their mind made up. It says a lot about who they are and also will inform the guilt they’ll feel later upon realizing they’d been mistaken.

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1. First write for yourself, and then worry about the audience. King suggests that your first draft is only written for yourself. This is where you’re supposed to write freely and follow wherever the story takes you. It’s only on your second draft that you should go back and, according to King, take out, “all the things that are not the story.”

 2. Don’t use passive voice. Passive voice is when the subject of the sentence is acted upon rather than performing the action. For example, saying ‘Brutus stabbed Caesar’ is active while saying ‘Caesar was stabbed by Brutus’ is passive. See the difference? The gravity of Brutus’s action is diminished when using passive voice.

3. Avoid adverbs. You need to do the work prior to using an adverb so that it isn’t necessary as a descriptor. If your characters are in a heated argument, you need to create the drama leading up to an exit so that you don’t need to say that the character slammed the door, forcefully. Forcefully should be redundant.

4. Avoid adverbs, especially after “he said” and “she said.” According to King, “While to write adverbs is human, to write ‘he said’ or ‘she said’ is divine.” You don’t need to add an adverb after he said or she said. Just keep it simple.

5. But don’t obsess over perfect grammar. “Language does not always have to wear a tie and lace-up shoes.”, says King. The priority of the writer should be telling a good story, and grammatical correctness should be secondary.

 6. The magic is in you. “I’m convinced that fear is at the root of most bad writing.” King advises growing writers to be bold. Fear is the only thing keeping you from being great.

7. Read, read, read. As with many other famous writers, one of King’s main points of advice is to read. Reading allows you to learn from other great writers and gain the tools you need for your own craft to flourish.

8. Don’t worry about making other people happy. Read wherever you can. Skip out on commitments to work on your book- don’t worry about upsetting other people. To be a good writer, you have to be rude sometimes.

9. Turn off the TV. According to King, those Netflix binge sessions aren’t doing you any favors. So, the next time you want to re-watch one of your comfort shows- don’t. Pick up a book instead.

10. You have three months. King believes that this is the length of time in which the first draft of a book should be completed. Now, we don’t necessarily agree with this one. Every book is different and every writer has their own process. However, putting a deadline on your first draft can definitely help you stay on task with your writing.

11. There are two secrets to success. When King is asked the secret of his success, he says, “I stayed physically healthy, and I stayed married.” While this may not apply to everyone, there is some truth in it. Making sure you and the relationships in your life are healthy can help you focus more absolutely on your craft.

12. Write one word at a time. Similarly to the phrase Take life one day at a time, King suggests that aspiring writers stay in the present- writing one word at a time instead of focusing on where the book is headed.

13. Eliminate distraction. According to King, “There should be no telephone in your writing room, certainly no TV or video games for you to fool around with. If there’s a window, draw the curtains or pull down the shades unless it looks out at a blank wall.”

14. Stick to your own style. While King advises aspiring writers to read and learn from the styles of other writers, ultimately you need to form your own style rather than trying to simply imitate the greats.

15. Dig. “When, during the course of an interview for The New Yorker, I told the interviewer (Mark Singer) that I believed stories are found things, like fossils in the ground, he said that he didn’t believe me. I replied that that was fine, as long as he believed that I believe it. And I do. Stories aren’t souvenir tee-shirts or Game Boys. Stories are relics, part of an undiscovered pre-existing world. The writer’s job is to use the tools in his or her toolbox to get as much of each one out of the ground intact as possible. Sometimes the fossil you uncover is small–a seashell. Sometimes it’s enormous, a Tyrannosaurus Rex with all the gigantic ribs and grinning teeth. Either way, short story or thousand page whopper of a novel, the techniques of excavation remain basically the same.”

16. Take a break. Not only can doing this help with the dreaded writer’s block, but King suggests that coming back to your work after taking a hiatus can help you view it in a whole new light.

17. Leave out the boring parts and kill your darlings. You can’t be so attached to your work that you won’t chop it up and cut it down when needed. It’s pretty self-explanatory, the boring bits must go.

18. The research shouldn’t overshadow the story. Even though a well-researched book can be great, King wants writers to remember: the audience cares more about your characters and your story. Keep research in the back-story.

 19. You become a writer simply by reading and writing. “The most valuable lessons of all are the ones you teach yourself.” says King. While seminars can be a helpful tool, King ultimately feels that you learn most by observing the work of writers and practicing it yourself.

20. Writing is about getting happy. We could definitely get into this, but we think King says it best, “Writing isn’t about making money, getting famous, getting dates, getting laid, or making friends. In the end, it’s about enriching the lives of those who will read your work, and enriching your own life, as well. It’s about getting up, getting well, and getting over. Getting happy, okay? Writing is magic, as much the water of life as any other creative art. The water is free. So drink.”

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