Personality

When including an animal character in your story, it’s important to make sure they have a bit of a personality. Any animal owner in real life knows, each of their pets has a very different personality. This can even range based on the animal, cats are typically more aloof while dogs are more fun and friendly.

While animal characters obviously don’t need to have their personalities fleshed out the way your other characters will, you should at least have a few defining traits to play around with. For example, your character could have a German Shephard that is extremely protective and territorial, going off on anyone who so much as goes near their owner. Additionally, depending on the genre of your story, you could invent an animal with its own unique personality and biological traits. Think of at least three words that you could use to describe the personality of your animal character and base their actions throughout the story around those traits.

Quirks

An animal’s quirks will show rather than tell the reader about their personality traits. This can highlight a certain aspect of their personality while also allowing them to become a more unique character. For example, take the character Hedwig, the lovable owl from the Harry Potter series. There are many instances throughout the series where Hedwig refuses to deliver packages for Harry for various reasons. Perhaps he forgot to give her a treat after one of her deliveries or used another owl for a delivery because she wasn’t around. These actions result in Hedwig pouting at Harry, ruffling her feathers, and even pecking him if she’s feeling particularly upset. That is, until he threatens to use another owl for a delivery, and then she quickly drops her attitude.

These exchanges show off Hedwig’s sassy personality and intelligence while also allowing both the reader and Harry to connect with her on a more human level. You should strive to achieve these same goals within your own writing.

Emotional Intelligence

Showing the reader that the animal character has a level of emotional intelligence, which many animals do and all literary animals should, will allow the reader to connect with them on a human level. There’s nothing worse than reading a book with a seemingly useless animal character to which the reader has no real emotional connection. Even when it comes to an animal, a character that doesn’t establish any type of emotional connection with the reader is a waste of page space.

So how do you allow your animal character to connect with the reader in this way? This will happen primarily utilizing action considering that, unless you’re writing in the fantasy genre, your animal character won’t be using dialogue. For example, perhaps your protagonist had a particularly bad day and is laying in bed crying, only to look up and see their pet dog offering them their own favorite toy. Or maybe this comes in the form of your protagonist’s pet lizard refusing to leave their shoulder as they’re having an altercation with a friend. Think about what would fit your animal’s personality and find actions that you can use to show both their emotional intelligence and their relationship with different characters throughout the story.

Story Role

As stated previously, the last thing you want is to write in a useless animal character with absolutely no purpose or role within the story (other than to be cute). Your editor is going to cut them from your book so fast it will make your head spin. Instead, as you’re planning to write your animal character, make sure you ask yourself: what is their role or purpose in this story?

For example, let’s say you’re writing about a very pessimistic character with a tough exterior who had befriended an alley cat near his apartment complex. With everyone else in his life, he is blunt and harsh but when he’s around this cat he is suddenly a sweet ball of mush. The role of the cat in this story is to show the reader another side of this character that we wouldn’t normally see and allow them to draw conclusions as to why the character behaves this way. You must therefore ask yourself, what does this animal show the readers about my protagonist? How does this animal character push along the plot of the story? Does this animal character raise the stakes of my story in some way?

The post Show Don’t Tell: Animals appeared first on Dorrance Publishing Company.

1) Holidays

If you’re working with a short time-jump, holidays can be a great marker to show how much time has passed. Let’s say, for example, you’re working within a year of your character’s life. Let’s say your story opens with the ball dropping on New Years’ and you want to jump between this moment and the following fall the next year.

Create a birthday in September that your character is preparing for so that the reader can know where they’ve jumped to in time. Or simply have the characters discussing that Halloween is coming up and what their plans are. Having a significant event on the day that you pick the story back up will also help answer questions as to why this is where the story resumes.

2) Physical Appearance

Another way to clearly show your readers a passage of time has occurred is through changes in the various characters’ appearances. For example, perhaps your protagonist got a haircut or started dressing with a different style or got a piercing. Perhaps one of their friends has lost weight or started dressing more extravagantly. These noticeable physical changes indicate to the reader that enough time has passed for appearances to alter to a significant degree.

3) School or Work

Where a character is with their school or career is also an excellent indicator of the passage of time. We go through life entering into different modes of school and then different jobs so switching up your character’s current circumstances would make sense if years pass over the time jump you’re creating. Perhaps they’ve finally finished school and entered the workforce or maybe they left the job they worked in the beginning of your story for something new.

4) Location

As time passes we oftentimes change our locations as well by moving around. This could come in many forms though depending on your character and their circumstances. The change here could be as simple as a character moving to a new apartment or buying a home. It could be that they move to a new city than they were previously located in the story. Or it could even come in the form of your character suddenly being more worldly, having traveled a lot during the time that is being skipped over.

5) Friends and Relationships

Friendships and relationships will also change as time goes on over the years. This can mean some friendships slip away and a character that your protagonist was previously close with is no longer their friend. It could mean the nature of the relationship has changed as well. For example, a friend has a baby and now your protagonist doesn’t see them as often. It could also mean the reverse and a previously strained relationship could have been reconciled over this time. They could even have some new friends that the reader hasn’t met before, though you’ll have to provide believable circumstances as to how these friendships formed.

6) Personality, Habits, Mannerisms

People’s personalities also deeply change as time progresses. Think back on who you were ten years ago and you’re likely very different from the person you are today. This will happen to your characters as well. Consider the length of the time jump you’re attempting to write first. If it’s only a year your character likely won’t be unrecognizably different, but if it’s something drastic like five years we will see more dramatic changes. Consider the events that happen between the two moments in time and how those moments will change your protagonist. How will they shape their personality, habits, hobbies, and mannerisms for the remainder of the story?

The post Show Don’t Tell: Time appeared first on Dorrance Publishing Company.

Halloween night can be a fun setting to explore your characters, get to know them in new ways, and even throw them outside of their comfort zone. For example, perhaps your character is the type that likes the dark and scary side of the holiday, always ready with fake blood capsules and fangs to play pranks on friends. Imagine this person is asked to attend their nephew’s Halloween party this year. Will they be able to tone down the spookiness and give their nephew a fun party? Or will they scare a bunch of children with their costume and bloody Mary spooky stories?

How a character feels about the holiday can also show off different aspects of their personality. If they obsessively love the holiday, why is that? Are they a macabre person, fascinated by the haunted nature of the holiday? Or do they have a particularly fond memory from their childhood associated with Halloween celebrations?

It also allows you to play around with more specific aspects of character, which allows them to feel more fleshed out and real. What is your character’s favorite scary movie? Favorite Halloween tradition? Favorite Halloween candy or snack? Favorite Halloween decoration in their house? What kind of costume (if any) do they like to wear?

Writing Prompt: Write a scene or short story about how your character spends their Halloween night. Use the day and setting to reveal aspects of your character by showing how they act surrounding the holiday, how they like to spend it, and why. Let this Halloween celebration push them a bit out of their comfort zone and show the reader why that is and how your character handles it.

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Dialogue is an area where a lot of writers struggle. It can be difficult to separate your own voice from your character’s voice. If you’re writing a line and thinking, “Ooh, this will sound clever,” you’re most likely doing it wrong. You have to think solely about your characters- where they came from, how they grew up, what their family was like, what experiences they’ve gone through and then ask yourself: how would this person talk? It’s not about sounding good or poetic, it’s about staying true to your characters. If your character is a really simple-minded person and then all of a sudden they’re spewing incredibly poetic speech, it’s just going to leave your readers scratching their heads.

One of the best ways to get better at separating your own voice from your characters is to start paying attention to how people around you talk. Notice how different people talk when they’re from different age groups, ethnicities, genders, backgrounds, and personality types. Take notes on different nuances and oddities in their language and apply them to similar characters in your book. This will make your characters feel more real. And, for additional practice, try these exercises:

For both exercises, use the setting and characters outlined below:

Setting: A small dive bar, midday on a Sunday afternoon. The bar is scarce, just a few patrons. There are two younger guys who seem to know each other, but it appears everyone else came alone. Most of them are older men, in their early 50’s. The bartender is a relatively handsome young man in his early twenties.

Character One: A young man in his mid-twenties. He loves classic rock and country music, just graduated from a nearby college with a degree in Creative Writing, and he grew up in Texas.

Character Two: A young woman in her early twenties, currently attending a nearby college and aiming to graduate a semester early. She’s double-majoring in business and communications and her favorite shows are House of Cards and Grey’s Anatomy.

Character Three: A middle-aged man with a military history. He has a wife and two kids, grew up in the south, loves watching Sons of Anarchy and The Sopranos and he’s currently trying to quit smoking.

1) Use characters one and two to construct a scene solely using dialogue. Find what the two characters have in common and allow a conversation to ensue.

Ex. Characters One and Two are sitting near each other at the bar. Character one notices Character Two and decides to buy her a drink.

2) Use characters One and Three and do the same as previous exercise. Hint: How do Character One’s demeanor and level of comfort change when he’s around Character Two vs. Character Three? Show this through his dialogue.

Ex. Characters One and Three are sitting near each other at the bar. Character Three is accidentally served the drink that Character One ordered.

For both exercises, focus on making the two characters in each scene sound different from one another. How would a man in his twenties talk vs. a middle-aged man? How would their voices differ?

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