Standalone

A standalone novel requires a lot of preciseness. It is a self-contained story so, for readers, it will feel clean and complete within itself. However, because the story will be contained within the confines of a single book–rather than several–not a single moment can be wasted. Every scene has to be important and purposeful, you don’t have the liberty of being able to write cute or heartfelt scenes that don’t advance the plot or develop your characters…it’s crunch time. When writing a standalone novel, every scene needs to answer the questions: How does this further the character arc? How does this further the plot?

This also means preciseness in terms of charting out the plot strands as a whole. A standalone novel must have a main thread that is being followed clearly, so don’t make the plot too complicated. There can be side plot points as well, but there has to be a clear narrative structure. If things get too complicated, you most likely won’t be able to come to a satisfying resolution by the end. Speaking of which, with a standalone novel you absolutely need a satisfying ending. That doesn’t mean a happily ever after per say, but because there won’t be another book you can’t end on a horrible cliffhanger. You have to give the readers–and the characters–the ending that they deserve.

Series

A series is a completely different beast. Think of it in terms of the cinema: a standalone novel is like a movie whereas a series is like a TV show. Because you have multiple books to fill, you’re given a lot more freedom in certain ways. You can have super complicated and intricate plots with overarching themes that will be revealed by the end of the series. Readers will also be able to spend more time with your characters and thereby grow to love and care for them more. However, because you have more time, readers have higher expectations. They want plot points that relate back to the first book of the series: they want continuity and consistency and surprises. You’ll need to do a lot more work charting out your series as a whole, rather than just letting it happen as it goes along and seeing where you end up.

Because a series is longer, you have the freedom to write those little funny or sentimental scenes that may have got the ax in a standalone novel. However, be warned: your pacing must remain consistent. How many times have you heard the phrase, “The second one wasn’t as good as the first one…”? We’re guessing quite a lot. Authors tend to exhaust their ideas in their first book to win over readers and then the pacing of the second book ends up way slower because they’re using filler info. Make sure each book in your series is comparable in terms of pacing, plot/character developments, and payoffs.

What’s right for you?

When deciding whether your idea should be a series or a standalone novel, focus on how complex or simple your book idea is. For example, fantasy and sci-fi books typically work best as a series because those ideas are really complicated and take longer than the length of a single book to tell the full story. On the other hand, contemporary novels typically work best as a standalone. This is obviously not true in every case, so make sure you think through your idea and how long you’ll need to tell the full story. If you feel like it’d be hard to condense the idea into one book, go with a series. And if you feel like it’d be hard to figure out how to expand your idea into multiple books, a standalone is probably your best move. Don’t force your idea to be something it’s not.

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Do Sweat the Small Stuff

Possibly the most important and complicated aspect of writing historical fiction is accuracy. You’re writing is set in a time that is tangible to us through history books and research. This means, unlike other forms of fiction where you have the freedom to improvise, you have to really stick to the facts. While there is still some room to be creative, when it comes to things like setting, clothing, items in use, etc.- you need to be incredibly accurate. In this genre, nothing will make a reader lose confidence in you quicker than if they spot historical inaccuracies.

Obviously, avoiding these mistakes involves conducting an immense amount of research- arguably more so than any other form of fiction. You want your readers to be able to see, smell, taste, hear and touch a time that has actually existed for us. You want to convey not only what that time looked like, but what the people were like, what they did for fun, and what their opinions were. We recommend not only conducting thorough research on your own but also working with experts on the topic you’re writing about. They may be able to pick up on some inaccuracies you may have missed so you can avoid potential reader backlash post-publication.

Don’t Go Overboard

While it’s important that you avoid inaccuracies and do the necessary research…don’t go overboard. Historical fiction writers tend to make the mistake of going too far in the opposite direction, including minute details on household items and wallpaper. Though you should always do your research, the last thing you want to do is bore your readers with a bunch of specific details just for the sake of showing your research skills. Include details- yes. But make sure you don’t focus too much on details that don’t pertain to your story. It’s a balancing act.

Stay True to Historical Figures

Often historical fiction or western novels will include characters based on real-life historical figures. If that is the case for you, make sure you’re staying true to the historical figures they’re based on. Historical fiction writers tend to make the mistake of pushing their own political or moral thoughts onto these people. You must remember that the figure you’re writing about is a person from that time- not ours. Allow them to be bigoted or politically backward or wrong. Don’t attempt to change them or have them make amends or make them forward thinking if they weren’t. Even great figures are allowed to be flawed and your readers will thank you for writing them with accuracy.

Pace Yourself Properly

This goes along with what we said earlier about not including too much detail. Historical fiction writers often make the mistake of getting too bogged down with exposition at the beginning of the novel. Your reader doesn’t need to understand everything about the era and your character’s place in the world right away. Pepper your relevant exposition throughout your novel as the information becomes relevant to your character and how they’re operating in the world.

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